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Zahra.poonawala

ARTIST

MY COMMUNITY BOARD

nikolajanovic likes ahleyana 's project
10 years, 2 months ago

52 weeks - what´s next?

nikolajanovic likes rok 's blogpost
10 years, 2 months ago

MEME POSTERS in LJUBLJANA

nikolajanovic likes j.sajana 's blogpost
10 years, 3 months ago

Choose and be damned.

nikolajanovic wrote new blogpost
10 years, 3 months ago

20. januara ističe rok za prijavu radova!
Drage koleginice i kolege,

želimo vam saopštiti da je preostalo samo još nekoliko dana za prijavu...

nikolajanovic wrote new blogpost
10 years, 3 months ago

Umesto čestitke za Novu godinu: Kognitivni proletarijat/Teorijska praksa/Memefest
Kognitivni radnik postfordističnog kapitalizma je u drugačijem položaju od klasičnog industrijskog r...

nikolajanovic and inesnin are now comrades
10 years, 3 months ago

nikolajanovic wrote new blogpost
10 years, 3 months ago

Theory and Revolutionary practice
Why is theory vital for revolutionary practice? Read and re-think!

http://www.marxists.org/refere...

nikolajanovic wrote new blogpost
10 years, 3 months ago

Memefest. Zašto da ne! Critical Writing? Hmm.... teorija? Da! Da!
Gde je nestalo kritičko razmišljanje, pisanje? Gde je nestala teorijska produkcija?

Činjenica je...

nikolajanovic and giartek are now comrades
10 years, 4 months ago

nikolajanovic wrote new blogpost
10 years, 4 months ago

Intersection: Biopower and Marketing
I found this article http://mediaecologiesresonate.wordpress.com/2010/09/04/biopower-and-marketing/#...

nikolajanovic and milenag are now comrades
10 years, 4 months ago

nikolajanovic likes oliver 's blogpost
10 years, 4 months ago

Memefest book: First impressions

nikolajanovic
10 years, 4 months ago

i saw gasapr noe film "enter the void" yesterday, its masterpiece

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nikolajanovic wrote new blogpost
10 years, 4 months ago

Theory and Activism
Theory ** Can BE USeful


http://www.howtodothingsbytheory.info/...

nikolajanovic wrote new blogpost
10 years, 4 months ago

ART SABOTAGE *critical writings *Teorija *Kritičnost *Theory *teorijska produkcija
WHY CRITICAL wrITING/ WHY Theory? Poglej/Take a Look/Pogledaj: Art SABotage http://www.republica...

nikolajanovic
10 years, 7 months ago

Žižek and the living in the end of times documentary

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nikolajanovic commented on nikolajanovic's blogpost Forms of resistance: pro-commons activism
10 years, 7 months ago

"embedani video ne deluje..."

nikolajanovic commented on nikolajanovic's blogpost Forms of resistance: pro-commons activism
10 years, 7 months ago

"zdaj sem lahko uploadal txt, težava: embedal sem video, nič se ne prikaže, težava tudi z linki v be..."

nikolajanovic wrote new blogpost
10 years, 7 months ago

Forms of resistance: pro-commons activism
Juan M. Prada is spanish critical thinker. He writes about digital aesthetics and new forms of resis...

nikolajanovic
10 years, 7 months ago

blog upload ne dela? ali spet kaj ne znam?

oliver
10 years, 7 months ago
nikola. kaj konkretno ne dela?
nikolajanovic
10 years, 7 months ago
sem tudi zdaj probal, ko vnesem naslov, txt, embedam in submitam, nič ne zgodi - ne objavi se nov blog.
oliver
10 years, 7 months ago
probaj zdaj. in sporoči plz. meni dela.
nikolajanovic
10 years, 7 months ago
amigo, uploadal sem, a se embedana stran ne pojavi, pa tudi linki v txt ne delajo
Zahra.poonawala
ABOUT ME

Username

Zahra.poonawala


Name

Zahra Poonawala


Birth year

1983


Gender

female


Country

France


Website

http://www.zahrapoonawala.org


Description

Traditionally production and distribution circuits tend to function with a separation between visual art spaces and those linked to music. Zahra Poonawala tries on the contrary to marry the sensations and find a means of expression connected to her dual background as artist and musician. She questions the birth of harmony, this spark that means that her art becomes the object of a spatial experience, with its density, its presence, or its absence. She works on presenting it using means which are invented and complement each other as the works are developed in video (Bouquet Final, 2005), musical performances (Quartet for Solo Cello, 2008), scenography (Nuages Insolubles, 2009), sound installations (Decomposed Orchestra 2007, Le Repos du Crieur Public, 2011) and internet-based audiovisual projects (Public Address System, 2009).


COMRADES
nikolajanovic