Memefest Awards- Mapping Socially Responsive Communication Workshop | oliver's blogpost @ Memefest
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oliver

DESIGNER   +   RESEARCHER   +   EDUCATOR   +   PHOTOGRAPHER   +   THEORIST   +   CREATIVE_DIRECTOR   +   OUTSIDE_OF_CLASIFICATIONS   +   INTERVENTIONIST

Memefest Awards- Mapping Socially Responsive Communication Workshop

This might come as a surprise, but most of so called »socially engaged« communication is either not effective or even counterproductive. Why? The main reason is that such communication is conceived in the same way as marketing communication for a product or service. The difference is content, but the perspective from which such communication starts and the dynamics it produces in the public sphere are pretty much the same.

When it comes to visual communication, the ideological trap lies in the nature of the image as a cognitive product of our spectacle based culture. Communication is perceived on the level of the image surface. Extracted formal surface.

Social problems are treated as products and communications solution to this problems are treated as products as well. Most of this communication would officially fall under the umbrella term of »social marketing«. This means a specific perspective through the lens of the market is employed for solving social issues. But can we use the exclusive perspective of the market to solve social problems with communication?

Lets take this example. It tells us that French fries (or fast food) is bad for us. But people know that already very well. So…if they know it- why do they keep eating it? This is a simple but representative example of whats wrong with this picture. The problem is deeper. But the communication »solutions« suggests to stay on the surface.

There is hundreds of communication examples, designed on the same principles as our example here, which are awarded, praised and taught about and shown on conferences, festivals and at universities. Such communication work does not change anything, but it makes the impression that things are getting changed. It creates a surface image of change instead of real change through (visual) communication.

If communication should influence dominant memes, we should first think about reasons for certain behavioral and cognitive patterns. The reasons are complex and different. To some extent they are mainly ideological- and here we come to the next step of the problem. How can we as communicators together reflect on the dominant (market driven) ideology of communication if this is the DNA within most of the University communication and design programs, within the professional institutions such as advertising agencies and design studios? How can we practice communication that goes beyond the commercial perspective for social issues?

Memefest is researching this issues thoroughly for the past eight years. One of the most fascinating observations to me is that within the professional design and broader professional communications community this aspect of communication is almost completely ignored. A total blind spot. I can observe this among students, among designers- also (or especially) among design super stars and while co-directing my own communications studio i can see this type of perception regularly among clients.

So here is the idea:

AS PART OF THIS YEARS MEMEFEST AWARD, TWENTY CHOSEN AUTHORS OF BEST FESTIVAL SUBMISSIONS WILL BE INVITED TO PARTICIPATE IN A SPECIAL MEMEFEST-SOCIALLY RESPONSIVE COMMUNICATION WORKSHOP IN NIJMEGEN, NETHERLANDS IN JUNE 2011, IN COLLABORATION WITH ODDSTREAM FESTIVAL. ALL COSTS COVERED.

What we will try to do is to produce visual maps which will show the differences (and reasons for them) between Socially Responsive Communication and »social marketing«.

Workshop will be mentored by some of the best radical communicators in the world. We will also try to experiment with the workshop format and dynamics in order to make this the most productive, creative and satisfying experience possible.

How does this sound to you?

Let's see what will happen. Have a good new year, you take care!




Read more about Memefest awards:

http://www.memefest.org/en/competition/awards/

Participate in Friendly competition and get a chance to be invited to the workshop:

http://www.memefest.org/en/competition/intro/

Read more about this subject in our new book:

http://www.memefest.org/demonstratingrelevance/en/


Image taken from Design for Dissent (Glaser Milton & Ilić Mirko editors)







Comments

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jodyb
12 years, 2 months ago

Thanks for this excellent article. From some NGOs there is an emerging awareness that their communication strategies reinforce the status quo by insisting on working within this social marketing framework. Some recent public debate around 'identity campaigning' is pointing in the right direction, or at least a better direction.

oliver
12 years, 2 months ago

hi jodyb- thanks for that. its great to hear that there is a wider recognition about the problem. in slovenia, NGOs are still quite far away of this understanding. you mention a recent debate pointing in a better direction- can you give me more info about that. id be interested to know more about it. thanks in advance!

jodyb
12 years, 2 months ago

hiya Oliver :)

Yes, check out the first three reports by Tom Crompton: http://www.wwf.org.uk/what_we_do/campaigning/strategies_for_change/

You can also see his website:
http://www.identitycampaigning.org/about/

The reports describes how environmental communications stuck within this 'social marketing' strategy are not only failing to have the desired impact, but are perhaps even reinforcing values that are anti-environmental. Social marketing remains fixed on the market as the dominant from of reference. So it won't challenge the dominance of today’s materialistic values. Tom Crompton seems to stops short of a critique of the market itself (and the way most NGOs believe that challenges must be meet through the market - i.e. more green products or maybe carbon trading), but his critique of social marketing is a good starting point, especially for WWF which is normally a very conservative NGO.

Anja
11 years, 10 months ago

Thanks Oliver for the article. I am curious to hear more about your perspective during the workshop. I have the feeling everything I hear in the (Dutch) design world jumps happily around all those terms, which you feel are not considered enough in your work surrounding.

A couple of years ago I would ask someone what kind of design he or she does and I would get an answer such as: " I am Stuff Designer".

Designers used to, and some still define their practice by the medium they use. For 'stuff' you could therefore fill in any field such as industrial-, fashion-, web-, interactive-, communication-, graphic- and so forth.
After a period of complains about the democratization of design and the fact that "Everyone is a designer" all of those different fields seem to be put in an interdisciplinary melting pot and are now coming out in new shapes.

Now I read designers are Thinkers who develop Strategies. They do Research. Designers are Social, consider Process as design, create Systems. They are Do-Gooders and are all about Participation. Designers are Sustainable and designers want Change.

The medium became secondary. The attitude and approach got relevant instead.
Hence it seems easy. If you are considering a design practice pick one of those terms, place it in front of –Design, and there you go.
But looking closer to those terms one will realize, it is hard to disagree with them. All of those terms actually mean everything but nothing at the same time. So from what I experience in my work surrounding it seems those terms are sold as marketing strategies.

oliver
11 years, 10 months ago

Hi Anja, thanks for this. I can very much agree with your observations. Holland has a advanced design culture, however all this important words have become buzzwords in most cases.

What you are describing can be observed in other countries too. Design as a profession is pretty much clueless what to do. It somehow knows that there needs to be a big step made towards concept, theory, interdisciplinary, research, critique, sustainability, social responsibility etc.. but only very rare designers or institutions make a radical enough step to avoid the trap of cooptation. Its interesting to look at design education institutions. Most of the start branding them selves as environments that provide innovative insight about "ethics", "social change", "sustainability"...

I don't think it is only a bad development. Not so long ago, almost no one spoke about this, now its part of the agenda. What will be important is role models, examples of projects, institutions, initiatives that will articulate their common vision through design/communication practice as well as through theoretical practice outside of close circles within academia or activism. Practice that will be radical enough to avoid cooptation. A new network of people with integrity could start this. What if we use the opportunity of Memefest workshop and strategize about this issues too?

Also, looking forward to your opinion on this:

http://www.memefest.org/en/memeblog/2011/05/mapping-socially-responsive-communication-workshop-preparation----case-study-faculty-of-arts-university-of-ljubljana-humanites-in-a-selfimposed-crisis/

oliver
ABOUT ME

Username

oliver


Name

Oliver Vodeb


Gender

male


Country

Australia


Description

I am a member of Memefest communication/art/theory Kolektiv, and founder, curator and editor of Memefest Festival of Socially Responsive Communication and Art. Iam also facilitator of Memefest online social network.

I am an Academic at RMIT University, Melbourne. I teach and research mostly in the field of communication design. I approach design/communication from a critical inter/ extradisciplinary perspective and I investigate theoretical, strategic, conceptual and "hands on" practice.

I enjoy working in many different media including visual and text.

Books I have published :

http://memefest.org/en/fooddemocracy/

www.memefest.org/en/indebtedtointervene/

www.memefest.org/demonstratingrelevance/en

www.druzbenoodzivnokomuniciranje.si/

This was my studio in Slovenia (2004-2012): www.poper.si

CV (sort of): http://www.memefest.org/en/about/who_we_are_oliver_vodeb/

You can read some of my texts here:
https://rmit.academia.edu/OliverVodeb


I have joined the Memfest community becasue i am interested in

I have been here from the very beginning of Memefest. I am interested in communication/design for social and environmental change.
I name such communication socially responsive communication.

Broadly speaking I am interested in visual communication, photography, sociological aspects of communication, design and media.

Iam interested in institutionalised forms of communication like for example communication done by design/communication studios and advertising agencies as well as non institutionalised forms of communication like tactical media or broader aspects of media activism.

In a slightly more academic language:

I am interested in how critical social theory can illuminate the complex processes of production, distribution and reception of public (visual) communication in order to generate public communication as a responsible social, political, economic and cultural practice.

I am particularly interested in relations between concepts of response-ability and communication effectiveness, and the social construction of design and other forms of pubic communication as profession, practice and praxis within academia, the market environments and non-institutionalised communities.


Faculty

was studiing at Faculty for social sciences University of Ljubljana


Education

PhD in sociology of communication and design


Working place

RMIT University, School of Design, Master of Communication Design


Music I like

Flamming Lips, Pixies, The Black Crowes, Demeter, Porno for Pyros, Ry Cooder, Junior Kimbrough, Townes van Zandt, T-model Ford, The Dirty Three, Bonnie Prince Billy, Primus, Faith no More, Bob Dylan, RHCP, Alice Donut, Faith no more, Mark Lanegan, Reigning Sound, Total Control;


Books I like

The Unbearable Lightness of Being, A Confederacy of Dunces, Fear and Loathing in Las Vegas, PanikHerz...;


Films I like

The man who wasn't there, No country for old man, Genova, Zidane a 21st century portrait, There will be blood, Il Postino, Festen, Straight Story, Wild at heart, White Ribbon, Dog tooth;


Communication projects I like

I like stuff we did at Poper studio. I like posters from Inkahoots. I like the zine project 23/56 from Kevin. I like many things that were submitted to Memefest, I like stuff from Cactusnetwork, I like the work of Image-shift.


Websites I like

poper.si, memefest.org, magnumphotos.com, mubi.com, ubu.com, http://twotheories.blogspot.com, brianholmes.wordpress.com, www.lensculture.com, www.burnmagazine.org, www.bagnewsnotes.com, www.cactusnetwork.org.uk, http://www.image-shift.net, www.inkahoots.com.au/
www.lokidesign.net


People I like

My dear family and my wonderful friends.


COMRADES