InDebted to Intervene- See you in Brisbane! | oliver's blogpost @ Memefest
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InDebted to Intervene- See you in Brisbane!

We are very excited to announce the first Memefest/ Queensland College of Art- Griffith University Award for Imaginative Critical Intervention.

The award for Imaginative Critical Intervention is given to support critical thinking, as the ability to see situations as they are and imagine them differently in a way that can emancipate and lead to transformation through intervention. Such interventions can be many things. They create a rupture in the order of things with the goal to redefine our relationships between being, doing and saying and our fields of experience. Such interventions conditioned by critical thinking are tightly connected to the principle of response-ability, which is an active position of engagement and the quality to transformatively act in situations, insisting that what matters are the human implications and not only the market implications of situations.

Curated by George Petelin, Tony Fry an Oliver Vodeb, the receivers of the award that will be invited to Brisbane- Australia to take part in our theorist/designer/artist in residence program are:

Søren Rosenbak (Denmark) for his work Surplus Debt in which he turns the perspective and departs from Debt’s opposite- surplus arguing that cultures emerging from peer to peer and other new collaborative practices, bring a new dynamic to the gift economies obligatory bond of indebtedness. The author argues that “… it's important to stress that surplus debt doesn't have an agenda to balance out credit debt; instead it aims to change the game altogether. More than anything it's an invitation for action and further research. For design practice it offers a critical starting point for actively enabling quirks, hacking, customization, malpractice, misuse, errors, mutation etc. across working fields.” Søren also invites product designers to design a new kind of an ATM machine and concludes in the best imaginative practice: “With the dawning understanding of exactly how much potential gatherings like the Occupy movement have, one can only dream of the global consequences of a planet inhabited by 7 billion surplus indebted human beings. “

Vladimir Turner (Spain/ Check Republic) for the work Wonderland series (Wonderland, Urbania Jones, Save it for a rainy day, Spring-cleaning) in which he and his collaborator Sergi Palau lightly, precisely and poetically walk between pleasure, humor and irony, question and critique addressing issues of lack of the public space, environment, contemporary city and its social situations, and the petrol industry. Vladimir thinks of his work outside of disciplinary boundaries: “each of my work is an act of free-minded creativity. I don't care if we call it art, activism, or destruction. The important thing is its objective. Trying to think in wider context and living life according to the awareness that each act we do affects the whole society should be obligation of all of us. Doesn't matter at which scale. Even small actions can change things. Critical thinking and its result- open society is exactly, what contemporary politics DON'T want.” In this sense this work addresses the invisible politics of DEBT- politics with extreme consequences, as a combination of intervention and commentary and creates a series work that makes us seriously laugh.

Ivan Kozenitzky (Argentina) for the work Call Center Experience! in which he and his collaborators Anibal Perez and Thompson create an online call center intervention training platform through which people can freely learn how to humanise the dehumanised call center experience. An intervention that alienates the call center operator not from work but from his work experience and through that creates a shift in the routines guided by rules and protocols. This shift creates a human relation and a critical distance. An extremely relevant theme since call centres are one of the main areas of virtualised labour exploitation. Besides that, the communicative approach of using personal contact and the medium of our voices striving to create a sophisticated intimate dialogue in a highly structured and surveillanced social situations is not only very ambitious but more than important for further investigations of socially responsive communication and art.

Our warmest congratulations to all authors!!

Have a look at what exactly were the festival outlines here:

The in residence program is structured around a direct collaboration with QCA academics Dr George Petelin, Dr Tony Fry and Dr Oliver Vodeb in an intensive extradisciplinary workshop that will take place between November 15th and November 25th.

In addition to this, a second and broader workshop and research seminar will be organised at the same time. Besides Søren, Vladimir and Ivan the following Memefest participants will be invited:

I. Queensland College of Art students whose submitted works have been curated in this years Friendly competition:

Ashlea Gleeson, Darcy Mangan, Torunn Ovland, Belinda Li, Daniel Bell, Hanna Mathilde, Emma Bergman, Rosie Cameron, Charles Mayfield;

II. Members of local Brisbane community who have submitted works we liked a lot or are/have been involved in non institutionalised Memefest related activities:

Keith Armstrong, Luke Robertson; Gem Copeland; Aaron Gillett, Paul Kimbell, Nicola Paris, Robert Henderson, Brad Parker, Manfred Huber, Dr Zala Volcic, Dr Mark Andrejevic;

Both workshops will take place at the Queensland College of Art and other places in Brisbane. We will work on further extradisciplinary interrogation of this years festival theme -DEBT, with the aim to critically intervene in Brisbane’s public space. An online pre workshop preparation phase will take place here on The second workshop will be mentored by Tony Fry, George Petelin, Jason Grant and Oliver Vodeb.

Also: we will slowly start working on a special edition of Zoontechnica, the peer reviewed journal of redirective practice published by QCA/ Design. We will get in touch with authors of best texts + we will invite also additional authors from around the globe to collaborate and contribute to our investigation of Debt also in this medium. Besides that we will also help produce- print one work submitted to the festival in order for it to be distributed as widely as possible. We also plan to publish a selection of works with additional commentary in a publication similar to the one we published for the last festival:

The main reason for Memefest’s collaboration with QCA are its progressive forces and the launch of the ambitious Design Futures program (, which in many ways shares common philosophical frameworks in theory and practice with Memefest. Design Futures is the first program that attempts to implement a radical and therefore productive critique of the design profession within a whole university department. It's pedagogy and research aim to be tightly connected with the strong traditions of critical thought. Usually (if at all) such critical attempts are being made on a much smaller scale. In any case they are extremely rare. Memefest has from its start- ten years ago- collaborated with universities from around the world and has contributed to inner institutional change. To contribute to developments, which have been so far developed mainly outside institutional contexts is really exciting as they are a historic opportunity.

This international meeting of the people, minds, friends, collaborators, researchers, artists, designers, theorists, educators, activists and people outside any classifications in Brisbane will be a big opportunity too. Two extradisciplinary workshops- highly experimental, hopefully pushing the limits and frameworks of professions, with the aim to change and further develop our understandings of what critical thinking and intervention in the context of communication, art, research and education is.

There are many fantastic people from around the globe involved in Memefest Festival. Besides the core work from members of the Memefest Kolektiv: Dejan, Rok, Nikola, Vida, Ana, Jasa and myself, big work is done by all our co-curators and co-editors: Alana Hunt, Katie Bush, Kevin Yuen Kit Lo, Roderick Grant, Nikola Janovic, Nikolai Jeffs, Shoaib Nabi, Tony Credland, Daniel Marcus, Jason Grant, Alain Bieber, Scott Townsend, Gal Kirn, Aaron Gach, Steve Keen, and Aleksander Macasev;

Have a look at the almost 300 submissions from 35 countries and strong curatorial and editorial comments they have received here:

Anyone who has submitted works to the festival or posted projects in our gallery can also request comments from any member in our social network- at the moment more than a thousand members strong- at any member’s profile page top right you will find a “request comment” function.

Thanks to everyone, this is really great and beautiful and important and means a lot. See you soon, Oliver & Memefest Kolektiv


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10 years, 9 months ago

This is really great! It's been 10 years since Memefest started with a small group of enthusiastic students in Slovenia... and in all these years we managed to build a strong community from all over the world, we're working together with different Universities etc.. Today, with all these pictures in my heart and in my head from the past and today and to know that I was, I am and I will be a part of this really great team I can hardly wait for the upcoming projects, first of all the workshop in Brisbane with people who participated with really great works. I'm sure that the workshop will be at least as great as it was last year in the Netherlands! A hug to you all!

10 years, 9 months ago

Congratulations to all of the participants - the effort you made gives power to each of you and has unpredictable consequences in wider contexts! We learned a lot!
And a big thumb up to all the curators who always do they job with great touch, a of course also for the Memefest engine - Memefest Kolektiv, who sometimes moves the impossible;)

10 years, 8 months ago

Thanks for the comments and appreciation. It is not always an easy task to select a few works among so many contributions yet it is great to see that the participats who contribute take time to submit what they feel is important and can make an impact where so few are not even considering to engage in a dialog. Bravo to all the participants, their enthusiasm and right use of creativity. It makes a difference to those of us who curate. Keep it up!





Oliver Vodeb






I am a member of Memefest communication/art/theory Kolektiv, and founder, curator and editor of Memefest Festival of Socially Responsive Communication and Art. Iam also facilitator of Memefest online social network.

I am an Academic at RMIT University, Melbourne. I teach and research mostly in the field of communication design. I approach design/communication from a critical inter/ extradisciplinary perspective and I investigate theoretical, strategic, conceptual and "hands on" practice.

I enjoy working in many different media including visual and text.

Books I have published :

This was my studio in Slovenia (2004-2012):

CV (sort of):

You can read some of my texts here:

I have joined the Memfest community becasue i am interested in

I have been here from the very beginning of Memefest. I am interested in communication/design for social and environmental change.
I name such communication socially responsive communication.

Broadly speaking I am interested in visual communication, photography, sociological aspects of communication, design and media.

Iam interested in institutionalised forms of communication like for example communication done by design/communication studios and advertising agencies as well as non institutionalised forms of communication like tactical media or broader aspects of media activism.

In a slightly more academic language:

I am interested in how critical social theory can illuminate the complex processes of production, distribution and reception of public (visual) communication in order to generate public communication as a responsible social, political, economic and cultural practice.

I am particularly interested in relations between concepts of response-ability and communication effectiveness, and the social construction of design and other forms of pubic communication as profession, practice and praxis within academia, the market environments and non-institutionalised communities.


was studiing at Faculty for social sciences University of Ljubljana


PhD in sociology of communication and design

Working place

RMIT University, School of Design, Master of Communication Design

Music I like

Flamming Lips, Pixies, The Black Crowes, Demeter, Porno for Pyros, Ry Cooder, Junior Kimbrough, Townes van Zandt, T-model Ford, The Dirty Three, Bonnie Prince Billy, Primus, Faith no More, Bob Dylan, RHCP, Alice Donut, Faith no more, Mark Lanegan, Reigning Sound, Total Control;

Books I like

The Unbearable Lightness of Being, A Confederacy of Dunces, Fear and Loathing in Las Vegas, PanikHerz...;

Films I like

The man who wasn't there, No country for old man, Genova, Zidane a 21st century portrait, There will be blood, Il Postino, Festen, Straight Story, Wild at heart, White Ribbon, Dog tooth;

Communication projects I like

I like stuff we did at Poper studio. I like posters from Inkahoots. I like the zine project 23/56 from Kevin. I like many things that were submitted to Memefest, I like stuff from Cactusnetwork, I like the work of Image-shift.

Websites I like,,,,,,,,,,,,

People I like

My dear family and my wonderful friends.